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Canadian Music Periodical Index
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Search Term(s): "Gender identity in music"
Results: (1-10 of 15) Next
| 1. | Audible Traces: Gender, Identity and Music. Elaine Barkin and Lydia Hamessley, eds.; Music and Gender: Perspectives from the Mediterranean. Tullia Magrini, ed. / Diamond, Beverley (Canadian University Music Review; #24/1; 2003; 118-125) |
| 2. | Canadian women composers in modernist terrain: Violet Archer, Jean Coulthard and Barbara Pentland / Danielson, Janet Henshaw (Circuit; 19#1; 2009; 57-70) |
| 3. | De la musique de geste à la musique du son, de SuperMèmè è 18U / Prêvost, Helène (Circuit; 19#1; 2009; 71-81) |
| 4. | Gender consciousness among women fiddlers in Ontario fiddle contests / Johnson, Sherry (Canadian Folk Music Bulletin; 34#1/2; Mar./June 2000; 3-6) |
| 5. | Gender, genre and electroacoustic soundmaking practices / McCartney, Andra (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 20-48) |
| 6. | Gender relations in Inuit drum dances / Piercey, Mary E. (Canadian Folk Music Bulletin; 39#3; Fall 2005; 1-6) |
| 7. | In & out of the classroom: reflections on identity, technology, and the radio project / Marsh, Charity (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 81-96) |
| 8. | La composition musicale et la marque du genre: l'examen conscient de l'«écriture féminine» / Stévance, Sophie (Circuit; 19#1; 2009; 42-55) |
| 9. | Local logics and the gendering of music technology : a Newfoundland case study / Diamond, Beverley (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 49-68) |
| 10. | Mis-education: a column where equity matters / Lamb, Roberta (Canadian Music Educator; 47#3; Spring 2006; 13-14) |
Results: (1-10 of 15) Next
