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Canadian Music Periodical Index

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Search Term(s): "Gender identity in music"
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1. Audible Traces: Gender, Identity and Music. Elaine Barkin and Lydia Hamessley, eds.; Music and Gender: Perspectives from the Mediterranean. Tullia Magrini, ed. / Diamond, Beverley (Canadian University Music Review; #24/1; 2003; 118-125)
2. Canadian women composers in modernist terrain: Violet Archer, Jean Coulthard and Barbara Pentland / Danielson, Janet Henshaw (Circuit; 19#1; 2009; 57-70)
3. De la musique de geste à la musique du son, de SuperMèmè è 18U / Prêvost, Helène (Circuit; 19#1; 2009; 71-81)
4. Gender consciousness among women fiddlers in Ontario fiddle contests / Johnson, Sherry (Canadian Folk Music Bulletin; 34#1/2; Mar./June 2000; 3-6)
5. Gender, genre and electroacoustic soundmaking practices / McCartney, Andra (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 20-48)
6. Gender relations in Inuit drum dances / Piercey, Mary E. (Canadian Folk Music Bulletin; 39#3; Fall 2005; 1-6)
7. In & out of the classroom: reflections on identity, technology, and the radio project / Marsh, Charity (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 81-96)
8. La composition musicale et la marque du genre: l'examen conscient de l'«écriture féminine» / Stévance, Sophie (Circuit; 19#1; 2009; 42-55)
9. Local logics and the gendering of music technology : a Newfoundland case study / Diamond, Beverley (Intersections: Canadian journal of music, Canadian University Music Society / Société de musique des universités canadiennes; 26#2; 2006; 49-68)
10. Mis-education: a column where equity matters / Lamb, Roberta (Canadian Music Educator; 47#3; Spring 2006; 13-14)

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