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Harold Augustus Jarvis, tenor (1864-1924)

Portrait of Harold Jarvis with the words SUNG WITH GREAT SUCCESS BY HAROLD JARVIS

Harold Jarvis

Harold Jarvis was born in Toronto in 1864, the son of singer Annie McLear. As a young boy, he gained some popularity singing Scottish songs while in highland costume. At the age of 14, he entered the merchant marine, sailing on the Allen and P & O lines between Montréal and England, and joined the Royal Naval Reserve. He left the marine service to study Music at the Royal Academy of Music, where he won a gold medal.

In 1891, he moved to Detroit where he sang as a tenor soloist at the First Presbyterian Church. The following year he married the singer Laurie Geikie, of Toronto. In 1903, he sang the tenor role in Messiah, performing with the celebrated Canadian opera singer Emma Albani.

He returned to Toronto in 1911, but was to settle finally in Detroit, where he died in 1924 at the age of 60.

He began recording for Victor in 1908, for Columbia in 1912 and for Edison in 1914. His most popular song was "Beautiful Isle of Somewhere", first recorded in 1914. Among his recordings for Victor were "March of the Cameron Men", "My Ain Countrie" and "O Canada". A partial discography can be found in Roll Back the Years.

For more information on Harold Jarvis's recordings, please consult the Virtual Gramophone database.


The Canadian men and women of the time : a handbook of Canadian biography of living characters. -- Edited by Henry James Morgan. -- 2nd ed. -- Toronto : William Briggs, 1912. -- xx, 1218 p. -- AMICUS No. 11744015

"Jarvis, Harold". -- Encyclopedia of music in Canada. -- Edited by Helmut Kallmann et al. -- 2nd ed. -- Toronto : University of Toronto Press, c1992. -- xxxii, 1524 p. -- AMICUS No. 12048560

Moogk, Edward B. -- Roll back the years : history of Canadian recorded sound and its legacy : genesis to 1930. -- Ottawa : National Library of Canada, 1975. -- xii, 443 p. -- AMICUS No. 80154. -- Also published in French under the title: En remontant les années : l'histoire et l'héritage de l'enregistrement sonore au Canada, des débuts à 1930