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Availability of other formats note

Colour transparency available

Exhibitions note

Exhibition title: Impressions of the Battlefields after the Armistice. Curators: London England, Surrey House, 1923, cat. no.: # 83.
Exhibition title: No Man's Land: the Battlefield Paintings of Mary Riter Hamilton 1919-1922. Curators: Davis, Angela, University of Winnipeg Art Gallery; Winnipeg, Manitoba; 1989.11.05 - 1990.01.12.
Exhibition title: No Man's Land: The Battlefield Paintings of Mary Riter Hamilton. Curators: National Archives: 1993.03.25-1993.05.10. Further venue: Acadia University, Wolfville, N.S.: 1994.10.31-1994.12.02.
Further venue: Moose Jaw Art Museum, Saskatchewan: 1995.10.24-1995.12.03.
Title d'exposition: No Man's Land- Tableeaux des champs de bataille de Mary Riter Hamilton 1919-1922. Conservateurs : Tony Tronrud, Thunder Bay Museum, Thunder Bay, Ontario; 2001.10.01 - 2001.11.15.
Exhibition title: No Man's Land: The Battlefield Paintings of Mary Riter Hamilton. Curators: National Archives, Ottawa, Ontario. Further Venue: Red Deer and District Museum, Red Deer, Alberta; 2004.10.02-2004.11.28.
Exhibition Title: No Man's Land- The Battlefield Paintings of Mary Ritter Hamilton 1919-1922. Curator: Dr. Sarah McKinnon, University of Winnipeg and Jim Burant National Archives of Canada in partnership with The War Amps, 136 St. Patrick Street, Ottawa, Ontario; 1998.11.05-1999.01.04.

Signatures and inscriptions

Inscribed. Signed. Dated.
Inscription: in black oil paint, recto l.l.: Ruine (?) Arras / 1919 (date partly underlined) / Mary Riter Hamilton ("Hamilton" partly underlined); printed label in blue ink, verso u.l.: ENVOI de (in pen and black ink) Mary Riter Hamilton / (printed in blue ink) M / (in pen and black ink) Interior of a destroyed church, / Arras / (printed in blue ink) REMIS le (stroked out in black ink) (in pen and black ink) 3 Rue Joseph bara Paris / France; in pen and black ink, t.: No ("o" raised) 83 (Partial Transcription)