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Description trouvée dans les archives

Titre

A Black Wood Cutter at Shelburne, Nova Scotia  

En ligne (2)

Structure du classement

Afficher la structure du classement

Pièce (reliée) fait partie de

W.H. Coverdale collection of Canadiana [multiple media] Manoir Richelieu collection (R3908-0-0-E)

équivalent bilingue

Bûcheron noir à Shelburne en Nouvelle-Écosse

Date(s)

1788

Lieu de création

Sans lieu, inconnu ou indéterminé

étendue

1 watercolour : watercolour sketch
Image : 22.700 x 16.500

Portée et contenu

Laid down, middle and corners. Hinges on mount vers. Discoloured. Diagonal black crease marks across u.r. corner. Laid paper, water-marked.
Sir Robert Ker Porter Collection. Sale, Christies, 1843. Manoir Richelieu Collection.
Useful lumbering. Useful negro subject. Rare and early example.
Dictionary Nat. Biog. XVI, "Porter" 190-192.
Digitization project: Living Memory/Mémoire Vivante.

Conditions d'accès

Documents iconographiques (art)
90: Ouvert
No restrictions on access or on use for
reproductions or publication.
Documents iconographiques (art)
Négatif de copie C-040162
90: Ouvert
Documents iconographiques (art)
90: Ouvert
Boîte
A032-01 No de pièce attribué par BAC 1090
90: Ouvert
Autre no d'acquisition
1970-188 PIC
01090

Modalités d'utilisation

Credit: Library and Archives Canada, Acc. No. 1970-188-1090 W.H. Coverdale Collection of Canadiana
Copyright: Expired

Nom(s) additionnel(s)

Artiste : Booth, William, 1748-1826.

Information additionnelle

Note sur les autres formats physiques disponibles
Colour transparency available.

Note sur les expositions
Exhibition title: W.H. Coverdale Collection of Canadiana. Curators: Michael Bell, National Archives of Canada, Ottawa, Ontario;1973.06.22 - 1973.08.30, cat. no.: no. 24.
Further venue: Agnes Etherington Art Centre, Kingston, Ontario; 1974.01.01 - 1974.01.30.
Further venue: The Robert McLaughlin Gallery, Oshawa, Ontario; 1974.03.01 - 1974.03.30.
Further venue: The Art Gallery of Windsor, Windsor, Ontario; 1974.09.01 - 1974.09.30.
Further venue: Department of Fine Arts, University of Guelph, Guelph, Ontario; 1974.11.01 - 1974.11.30.
Further venue: Norman Mackenzie Art Gallery, Regina, Saskatchewan; 1975.01.01 - 1975.01.30.
Further venue: Mendel Art Gallery, Saskatoon, Saskatchewan; 1975.02.01 - 1975.03.15.
Further venue: Beaverbrook Art Gallery, Fredericton, New Brunswick; 1975.03.15 - 1975.04.30.
Further venue: State University of New York, New York; 1976.09.11 - 1976.10.17.
Further venue: Cheney Cowles Memorial Museum Spokane, Washington D.C.; 1976.11.06 - 1976.12.05.
Further venue: Rexburg College, Idaho; 1977.01.01 - 1977.01.30.
Further venue: Colby College, Waterville, Maine; 1977.05.09 - 1977.06.08.
Further venue: Smithsonain Institution, Washington D.C.; 1977.05.28 - 1977.06.26.
Exhibition title: The Loyal Americans. Curators: Bernard Pothair, Canadian War Museum, Ottawa, Ontario; 1983.06.04 -1983.09.04.
Exhibition Title: Treasured Memories 5. Curator: Michal Anne Crawley, National Archives of Canada, Ottawa, Ontario; 2001.01.22-2001.11.12.
Exhibition Title: 1783: Subject or Citizen? The Treaty of Paris. Curator: Michael Eamon, Library and Archives Canada, and Lisa Royse, National Archives and Records Administration, Ottawa, Ontario; 2008.05.06-2008.08.05. Further Venue: National Archives and Records Administration- O'Brien Gallery, Washington, DC; 2008.10.03-2009.01.25.

Signatures et inscriptions
Inscribed. Signed. Dated.
Inscription: Signed in pencil, recto, u.l., by "W. Booth Engrs." Above this, "A Black Wood Cutter at Shelburne, Nova Scotia 1788." Inscribed on mount, verso, "brother in law of Sir Robt. Ker Porter - Ambassador to Rome & - the Miss[e]s Porter Jane & Anne Maria -"

Vedette-matière

1. Nova Scotia / Nouvelle Écosse.
2. work.
3. SUBJ. - Portrait : Depicting A Black Wood Cutter - 1788.
4. SUBJ. - Immigration And Colonization : Negro.
5. SUBJ. - Work : Wood Cutting And Lumbering.
6. Shelburne (N.S.)

Source

Privé

No de contrôle d'autres systèmes

ICON48698

No MIKAN

2836297