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Description trouvée dans les archives
Titre
Fonds se compose de
Structure du classement
Date(s)
1961-1999
Lieu de création
Canada
étendue
Langue du document
Anglais
Portée et contenu
Fonds includes manuscripts and typescripts of many of his works, including: "Geneve", "Autobiology", "Ear Reach", "Kerrisdale Elegies", "A Short Sad Book", "Burning Water", "Shoot!", "Harry's Fragments", as well as unpublished stories, plays and novels. Approximately half of the fonds consists of correspondence with the community of West Coast writers and with other Canadian writers, scholars and artists; among them: Milton Acorn, Margaret Atwood, Margaret Avison, Bill Bissett, Victor Coleman, Greg Curnoe, Frank Davey, Hugh Hood, Joy Kogawa, Robert Kroetsch, Red Lane, Margaret Laurence, Irving Layton, Dorothy Livesay, Gwendolyn MacEwen, David McFadden, Barry McKinnon, John Newlove, bp Nichol, Al Purdy, Fred Wah and Phyllis Webb. The fonds includes notebooks, contracts, clippings, memorabilia and cassette tapes, as well as information on Bowering's teaching and radio careers and his reading tours. The George Bowering accrual [2003-10] from Queen's University archives includes early correspondence and manuscripts (1958-69).
Conditions d'accès
Contenant de la DML CASS 176
Contenant de la DML CASS 165
Contenant de la DML CASS 175
Contenant de la DML CASS 174
de T-7 84 à T-7 88
de CASS 134 à CASS 163
de CASS 166 à CASS 173
CASS 164
de 1 à 10
de 12 à 23
de 11 A à 11 C
de 1 à 16
de 22 à 38
39 B
de 1 à 5
de 1 à 18
de 17 à 21
39 A
de 24 à 38
de 40 à 50
de 39 A à 39 B
de 51 A à 51 B
de 40 à 64
de 67 à 78
1999-03 LMS
2003-03 LMS
2003-10 LMS
Modalités d'utilisation
Copyright varies. The recipient of copies is responsible for determining whether material is subject to copyright and whether use of it does or does not constitute an infringement of copyright under the Copyright Act. Credit Library and Archives Canada.
Instrument de recherche
Textual records; graphic material; sound recordings; object Finding aids available for accessions 1985-04 and 1999-03. Available in reference room binder. 90 (Papier)
Créateur / Provenance
Biographie / Histoire administrative
Poet, novelist, editor, professor and radio personality, George Bowering was born in Penticton, British Columbia (B.C.) in 1935. He worked as a Royal Canadian Air Force (R.C.A.F.) aerial photographer, then studied at the University of British Columbia (UBC) where he earned a B.A. in History (1960) and an M.A. in English (1963). His masters thesis advisor, American poet Robert Creeley, and other Black Mountain College poets, such as Robert Duncan and Charles Olson, influenced Bowering and his UBC colleagues. He co-founded and edited "tish" (1961) with Frank Davey establishing a post-modernist, avant-garde movement in British Columbia. He also edited "Imago" (1964-74), "The Beaver Kosmos Folios" and four anthologies. Bowering received the Governor General's Literary Award for poetry in 1969 for "Rocky Mountain Foot" (1968) and "Gangs of Kosmos" (1969) and the Governor General's Literary Award for fiction in 1980 for his novel "Burning Water". He held teaching positions at universities in Calgary, London (Ontario) and Montreal before returning to Vancouver in 1972 where he now resides and teaches at Simon Fraser University. He has adopted the pseudonyms Ed Prato and E.E. Greengrass for some of his reviews and letters to the editor and has used the pseudonym Ellen Field for poetry. Bowering was Canada's first Parliamentary Poet Laureate.
George Bowering's more recent works include "The Rain Barrel" (1994), a collection of short stories, the historical works "Bowering's B.C.: A Swashbuckling History" (1996) and "Egoists and Autocrats: The Prime Ministers of Canada" (1999); the volumes of poetry, "Urban Snow" (1992) and "Blondes on Bikes" (1997); the memoir "The Moustache: Memoirs of Greg Curnoe" (1993); the novel "Shoot!" (1994) and the collaborative novel "Piccolo Mondo" written with Angela Bowering, David Bromige and Mike Matthews. He also co-edited "Likely Stories: A Post-modern Sampler" (1992) a collection of 23 post-modern Canadian stories. Bowering is known for flaunting the conventions of language and literature in his work by parodying or blending styles and genres.
Information additionnelle
Note sur l'emplacement des documents connexes
Source
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3671496
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